Anette Bjorholm
Folkestone, CT20 1RL
07775 568098
Built up using up to fifteen layers of clear casting resin, the paintings obtain a mirror-like surface. They are pure, intense, saturated colour. I hope they show a melancholic beauty and contemplative stillness.
The material is sculptural, in the resin, and in using a hard, metal surface. They are tactile. Also, the element of time is evident in the building up of a semi three dimensional surface. The overall effect is subtle, they don’t scream and shout, but shimmer.
These paintings are part of a series, completed this year, and made in response to an overwhelming use of colour, materials, maps etc in my previous years work. This work is now spread across corporate and private collectors, and is also in the University of the Arts Collection. My current work is a series of work called Ultima Thule, concentrating on the landscapes of Mars, and the remote Danish landscape where I am originally from.
Other Profiles
- 23a TIN SHED
- 43 The Old High Street Studios
- 46 Tontine Street Studios
- 53-57 Tontine Street Studios
- 56-58 The Old High Street Studios
- 63 The Old High Street Studios
- 67 The Old High Street Artists
- Alan Smith
- Ali Hodgkinson
- Anette Bjorholm
- B&B Project Space
- Candida Wright
- DARC & D:NA
- David Lay
- Deborah Crofts
- Dee Taylor
- Dominic Pillai
- Ebun Culwin
- Fat Hen and Flo
- Folkestone Harbour Yarn
- Gillian White
- Harika
- Jack Frame
- Kate Knight
- Kate Knight
- Leigh Mulley
- Mark Millsted
- Mark Sutherland
- Martin Keel
- Matt James Healey
- Matt Rowe
- Mike Dalton
- Nicholas Houghton
- Ondrej Benes
- Paul Harris
- Peter Oetzmann
- Richard Taylor Photography
- Robyn Neild
- Sam Capell
- Sam Millen
- Samenua Sesher
- Sentient
- The Stables Studios
- The Wedge artists
- Thurle Wright
- Tim Skinner
- Tom Shedden
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