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Triennial 2011: Artists and artworks

A K Dolven

Dolven’s installation features a 16th-century tenor bell from Scraptoft Church in Leicestershire, which had been removed for not being in tune with the others.

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CAMP

CAMP is an organisation formed in Mumbai, India, in 2007. Its artistic projects engage with "infrastructures" as diverse as CCTV, radio, cable television, cycle rickshaws, electricity and sea trade.

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Charles Avery

Part of Avery’s imaginary Island, the Sea Monster was found floating in the shallows where the Qoro-qoros met the Occluded Ocean.

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Cornelia Parker

Parker has created a Folkestone version of one of the most popular tourist attractions in the world, Copenhagen’s ‘Little Mermaid’.

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Cristina Iglesias

Cristina Iglesias’s architectural intervention on the ramparts of Martello 4, the Leas, is an illusion of an entrance into another world.

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Erzen Shkololli

‘Boutique Kosovo’ on The Old High Street, housed a rare and eclectic collection of Kosovan folkloric and ritual clothes collected by Shkololli over a two-year period of travelling to the furthest reaches of Kosovo.

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Hala Elkoussy

Elkoussy transformed a former corner shop in Sandgate Road into an archive and reading room, filled with myriad documents

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Hamish Fulton

Shore-Line. A Slow Walk Facing The Sea, took place on Saturday 2nd July 2011, Folkestone Seafront

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Hew Locke

Locke’s exuberant and large-scale installation consisted of around 100 model ships – warships, trawlers, steamers, liners, brigs, rafts, junks – collected from around the world

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Martin Creed

Turner Prize winner Martin Creed, created a sound work for The Leas Lift in accordance with its ascent and descent.

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Nikolaj Bendix Skyum Larsen

This three-screen film, focused on a number of migrants living in camps near Calais on the last leg of a long and dangerous journey from their home countries

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Olivia Plender

Plender’s installation explores vestiges of mysticism, spiritualism and colonialism in Folkestone.

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Paloma Varga Weisz

Varga Weisz’s five-headed sculpture, it's body wrapped in blankets and cardboard, appears stranded and forlorn.

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Ruth Ewan

Ewan is interested in the dissemination and control of radical ideas


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Smadar Dreyfus

Voices, once firmly rooted within and through the institutions of education, become disembodied in Dreyfus' work and then refigured to other ends.

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Spencer Finch

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Strange Cargo

Strange Cargo’s Triennial contribution was an illustrated alternative guidebook of their hometown, Folkestone.

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Tonico Lemos Auad

The various Carrancas situated in the inner and outer harbour are inspired by nature, harnessing tidal currents to hide then reveal, as well as shape the work. 

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Zineb Sedira

For Sedira, this work is also a reflection on and return to her family roots.

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